Monthly Archives: February 2015

The Space Station Museum

Until I got an email from my friend Heather Archuletta asking me if I wanted to tour The Space Station Museum in Novato, I must say that I didn’t know that it existed. I’m so glad that I was able join this morning’s tour because it’s clear that we have a gem in the Bay Area. It’s also clear that this museum has a different way of doing things that most space museums that I’ve visited.

The Space Station Museum is located in a storefront in Novato, California. On one side is a coffee shop and on the other is a pizzeria. This is not your typical location for a museum that has a large number of spaceflight artifacts. The other thing different about the museum is that visitors are allowed, in fact encouraged, to touch most of the artifacts there. Have you ever wanted to touch a meteor? If so, head to Novato when the museum is open and you can do it!

Walking into the first room of the museum, the first thing that I noticed were the pictures on the walls. After a closer look, I noticed that many of them had autographs of the astronauts who took or were in the pictures. There are crew photos, pictures taken on the moon, and in the space shuttle. My favorite is a photo from Apollo 16, labeled and autographed by LMP Charlie Duke. It’s a panoramic image and Gen. Duke has labeled some of the major features in the photo, including himself. There’s a photo of Bruce McCandless flying the MMU, a photo of  John Young scooping lunar soil  at North Ray Crater, and a photo of Harrison Schmidt standing in from of a lunar bolder larger than he is with the lunar rover in the foreground, among many others. On the back wall is a large photo of the Space Shuttle Columbia, apparently in orbit, against the blue of the earth and the black of space. More on this photo later.

Our guide to this room was Ken Winans, President of the museum and the man who has amassed much of this space memorabilia. Ken is quick to point out that the museum holds only a small portion of the collection and, as such, the content is rotated on a regular basis. Ken deftly walks us around the room, showing us Soyuz and Mir control panel pieces, space flown pieces and engineering prototypes, Mercury capsule pumps and Soviet and Russian suits. He shows us a Russian Sokol space suit while explaining its mechanics and those of its sister suit, called Orlan, to us. To our sheer delight, he invited us to try on gloves for both types of suit (neither of which fit my hand). He shows us two meteorites, one of iron and the other of rock, and encourages us to touch them! It was just awesome. Ken’s enthusiasm for the museum, the artifacts, and his concept of bring space to the people is contagious.

After spending time with Ken in the first room, we move on to the second room, which among other things, contains two amazing pieces, a 85% size lunar module and a lunar rover trainer. Our guide in this second room is Don Shields, an Apollo program veteran. Mr. Sheilds spent his time in the Apollo program working on the lunar module, so it’s quite fitting that he’s our guide in this room. He regales us with stories of working in the Apollo program and putting astronauts on the moon is amazing! The artifacts in this room are just as amazing, including more Russian control panels, rocket nozzles and a training flag that the Apollo astronauts used to practice putting up a flag on the moon! (Yes, it took practice, remember they were wearing pressurized space suits with limited mobility.

Besides being able to touch artifacts, Mr. Winans has a vision for museums. He don’t believe that they need to be big stodgy affairs. Rather, he puts his artifacts where the people are. As I mentioned above, the Space Station Museum is located in a shopping center in Novato, near a coffee shop, a grocery store, and a yoga studio. He wants people to see the collection and learn from it. Another wonderful feature of the museum is that there is no admission charge. When they’re open, you can walk in, view and touch the artifacts, and learn more about our adventures in space.

I am tremendously thankful to Heather for inviting me to join a group of fellow space enthusiasts on this tour. It amazes me that space can bring a group like this together. We had an aircraft electronics engineer, a lab technician, a City Clerk, a planetary scientist, and an Apollo program hypergolics engineer in the group. It was a lot of fun to talk with and learn from Amy McKinney, Grant McKinney, James Sharkey, Stephanie Evans, Natalie Batalha, Jeffrey Holton, and Robyn Villavecchia.

See the full photo set!

 


OK, with regard to the Columbia picture mentioned above, Mr. Winans says that he believes the photo is original and not photoshopped. I want to find out if this photo is indeed non-photoshopped. It’s odd because the cargo bay doors are closed, which means that the orbiter is either in the ascent or entry phase. If that’s the case, what would have been with the shuttle to take the photo. Any thoughts? – I’ve found out that it’s a composite photo of one of Columbia’s early landings over a shot from orbit. Lots of them were sold in the 80’s.

 

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Into the Woods – Musical vs Movie

As some of you know, my favorite musical of all time is Into the Woods, with music by Sondheim and book by Lapine. I’ve loved Into the Woods since I was in Middle School, seen it performed multiple times at all levels (community theatre to original Broadway cast (I think)) and even performed in it as the Narrator and the Baker. So, when the movie was announced, I was hesitant, to say the least.

On Thursday night, I saw the movie and enjoyed it. They did a good job of capturing the spirit of the story and translating that into a beautiful film. The lighting was stunning and they did a great job of making the giant seem big without ever showing the full size of the giant. When it comes to musical numbers, the filmmakers nailed Agony, almost nailed No One is Alone, and did a good job on most of the other numbers. One of the interesting choices they made with a couple of songs from the musical (Cinderella at the Grave and No More) was to play the melody from the musical under the visual of the actor in the film who wasn’t singing the words. I cringed at this both times, but I can understand the choice.

The filmmakers make two interesting choices in explicitly stating a couple of things that are assumed in the musical. (Spoilers begin here) They have the witch explicitly state that the four items (cow as white as milk, cape as red as blood, hair as yellow as corn, and slipper as pure as gold) that the baker and his wife have to gather to reverse their curse will also reverse her curse. They also explain the necessity of the three days time in the film, which isn’t explained in the musical. Also, the witch states several times before the final feeding of the four items to Milky White, that she can’t have touched any of them. I don’t believe this is stated in the musical until the cow won’t produce milk. These are interesting choices, which take a bit of the magic away, in my opinion.

All in all, it’s a great film, but it doesn’t hold a candle to the musical.

P.S. I wrote most of this back on January 11th, but didn’t manage to post until today. Not quite sure why…

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